Corrie Fee_002



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Story Behind The Image

Corrie Fee Photography Prints, Corrie Fee Photography Prints, Corrie Fee Photography Prints, Corrie Fee Photography Prints, Corrie Fee Photography Prints

I always like to explore new places. Especially if those are not yet very popular. I think that Corrie Fee at Glen Clova is one of the underappreciated places in Scotland. When I got there I was amazed by its stunning and impressive look. This amphitheater-like valley stands out among many better known places in Scotland. Without a doubt it deserves far better attention.
To get to the place where I framed my final shot I had to start my walk at night. I wanted to take a picture between blue and golden hour while the Sun was still hidden behind the hills. To be sure that I won’t miss the best light I was there an hour before the sunrise. At that time several dozen of wild red deer were standing and waiting for me. At least it looked like they were. Once they saw me, immediately ran up the hills and left the entire place only for me. I waited for the light conditions that worked for me the best with this composition and took the photo you can see here. After the Sun showed up from behind the hills I could enjoy the rest of the morning and took more pictures of this amazing place in a more “relaxed” way.

Fine Art Prints

16.5″ x 11.7″

Limited to:        n/a
Margins:          Top: 15mm | Bottom: 22mm | Sides: 15mm
Paper:             Fujifilm Fine Art Fibre Baryte Gloss, 310gsm.

23.4″ x 16.5″

Limited to:          n/a
Margins:            Top: 25.5mm | Bottom: 32.5mm | Sides: 25.5mm
Paper:               Fujifilm Fine Art Fibre Baryte Gloss, 310gsm.

33.1″ x 23.4″

Limited to:          n/a
Margins:            Top: 50.8mm | Bottom: 50.8mm | Sides: 50.8mm
Paper:               Fujifilm Fine Art Fibre Baryte Gloss, 310gsm.


All my photos are produced as Fine Art Prints using the best archival materials. Checked for quality and approved by me individually. High-quality lenses and neutral density filters used when taking pictures can ensure the best resolution and sharpness to the prints.
Fine Art Fibre Baryte Gloss is the Second generation high-quality real Baryte paper that has a unique look with a bright white gloss finish. Perfect for professional and exhibition prints. The baryta (special barium sulphate coating) is in the paper base giving excellent colour rendition. The technical benefits of Baryta layer include greater detail and definition, extended tonal range and excellent archival properties with museum quality – no discolouration and degradation under normal conservation conditions.


All my Fine Art Prints are signed by me and numbered (if limited) inside the bottom margin area. I use an acid-free pen for that. On the back of the print, I handwrite the date and the place where the photo was taken. If you prefer to have my signature and the edition number on the back of the print, please leave a note while ordering.
Additionally, all limited edition prints will be delivered with a certificate of authenticity, embossed with my personalised stamp. Normally I do not emboss prints itself but if you prefer to have it, please be sure to mention about it while ordering as well.

The photographer reserves the right to reproduce this image for any promotional purposes and to use it in calendars, books, greetings cards, etc. However, these reproductions have different finish and are not considered originals. In fact, these can only increase the value of your original.


All prints are delivered ready to frame which allows you to decide the framing option that suits its intended destination in your own time and ensures the print arrives in perfect condition.
All prints will be shipped 1st class delivery with a tracking number. 23.4″ x 16.5″ and 33.1″ x 23.4″ prints due to their size are rolled. Sending in a durable, heavyweight tube makes it the safest way for delivery. Refunds are only offered if the print is damaged on arrival and reported no later than 14 days after delivery.

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